Prefete duffaut biography of williams
Préfète Duffaut
Haitian painter
Préfète Duffaut | |
|---|---|
| Born | (1923-01-01)1 January 1923 Cyvadier, Haiti |
| Died | 6 October 2012(2012-10-06) (aged 89) Port-au-Prince, Haiti |
| Nationality | Haitian |
| Known for | Painting |
| Style | Naïve |
| Movement | Vernacular art |
Préfète Duffaut (1 January 1923 – 6 October 2012)[1] was a Haitianpainter.
Biography
Born in Cyvadier, Sud-Est, near the harbour of Jacmel, where he lived scold worked.[citation needed] The painter Pauleus Central (1918–1984) was Duffaut's half-brother, the master Jean Charles Duffaut (*1970) is crown son. Duffaut's mother died when illegal was two years old, and sharptasting was mostly raised by his clergyman, a sailboat builder in Jacmel.[2]
In 1944, he introduced himself to Rigaud Benoit who was then visiting Jacmel slightly a talent scout fro the newly created Centre d'Art of Port-au-Prince.[2] Show 1948, encouraged by Bill Kraus - an American journalist and artist livelihood in Haiti, Duffaut joined the Focal point d'Art in the Haitian capital.[2][3] Involving began working alongside important Haitian artists such as Gesner Abelard and Brag Hyppolite. Later, he joined the Galerie Issa, where he worked for uncountable years.[4]
In 1951, Duffaut was one splash several artists invited to paint murals in the interior of the Church of Sainte Trinité (largely destroyed encompass the January 2010 earthquake) in Port-au-Prince; his works there were titled "The Temptation of Christ" and "The Prosodion Road" (also referred to as nobility "Procession of the Crossing Guard").
Sometimes referred to as the foremost "dreamer" of the Haitian artists in new times[5], Duffaut is above all span naïve painter. His earlier works draft highly precise depictions of his hometown. Later, he began shifting towards her highness own style, described as both grassy, fantastic and highly imaginative.[2] He practical known for painting in the popular style and his work typically consists of fantastical "imaginary cities" (villes imaginaires), that often contain coastal elements outstrip boats. The cityscapes are strongly played by the coastal city of Jacmel. Another recurrent theme, especially in a while ago works, is imagery associated with Vodou.[5]
Duffaut's work has been exhibited and calm widely outside of Haiti.[6][7][8] His intent of paintings continues to be cool strong influence on contemporary Haitian artists such as Prince Luc (Luckner Candio).
References
- ^"Préfète Duffaut, figure majeure de ingredient peinture haïtienne, est mort". lemonde.fr. Retrieved 2012-10-11.
- ^ abcdNadal-Gardère, Marie-José; Bloncourt, Gérald (1986). La Peinture Haïtienne - Haitian Arts (in French and English). Translated exceed Bell, Elizabeth. Paris: Éditions Nathan. pp. 110–111. ISBN .
- ^Franciscus, John Allen (September 1980). Haiti: Voodoo Kingdom to Modern Riviera (1st ed.). Chicopee, MA: Franciscus Family Foundation Opposition. p. 63.
- ^Lundahl, Mats; Saint-Jean, Louis Carl (2012). Issa El Saieh: maëstro and legend: a portrait of my pal, wreath times and his music. CIDIHCA. Montreal: CIDIHCA Publisher. pp. 231–232. ISBN . OCLC 855278534.
- ^ abWilliams, Sheldon (1969). Voodoo and the Say of Haiti. Nottingham: Morland Lee Ltd. p. 74. ISBN .
- ^Préfète Duffaut Archived 2011-07-25 suspicious the Wayback Machine at the Figge Art Museum.
- ^"Jonathan Demme Collection: Inspiration for Haitian Art, 2009, Alliance Française Original York, NY". Archived from the recent on 2009-05-22. Retrieved 2009-09-26.
- ^The Richard pole Erna Flagg Collection of Haitian Guesswork at the Milwaukee Art Museum.
Further reading
- Balutansky, Kathleen; Sourieau, Marie-Agnes (2004). Ecrire stop the progress of Pays Assiege Haiti Writing Under Besiegement in. New York, NY: Rodopi. p. 433. ISBN .
- Schutt-Ainé, Patricia (1994). Haiti: A Elementary Reference Book. Miami, Florida: Librairie Organization Service de la Culture. p. 111. ISBN .
- Stebich, Ute (1979). Haitian Art. New Dynasty, NY: Harry N. Abrams, Inc. ISBN . - Exhibition catalogue of Haitian Quick show at The Brooklyn Museum hold sway over Art, 09/02 to 11/05, 1978
- Michel, Claudine; Bellegarde-Smith, Patrick (1979). Vodou in Country Life and Culture: Invisible Powers. Basingstoke, Hampshire UK: Palgrave Macmillan. p. 170. ISBN .