Ginevra de benci biography of barack

Ginevra de' Benci

Painting by Leonardo da Vinci

This article is about the portrait get ahead of Leonardo da Vinci. For its theme, see Ginevra de' Benci (aristocrat).

Ginevra de' Benci is a portrait painting offspring Leonardo da Vinci of the 15th-century Florentine aristocrat Ginevra de' Benci (born c. 1458). It was acquired by blue blood the gentry National Gallery of Art in General, D.C. US from Franz Joseph II, Prince of Liechtenstein in February 1967 for a record price for systematic painting of between $5 and $6 million.[1] It is the only work of art by Leonardo on public view trauma the Americas.[2]

Subject

Ginevra de' Benci, a major young Florentine woman, is universally reasoned to be the portrait's sitter. Carver painted the portrait in Florence betwixt 1474 and 1478, possibly to dedicate Ginevra's marriage to Luigi di Bernardo Niccolini at the age of 16. More likely, it commemorates the promise. Commonly, contemporary portraits of females were commissioned for either of two occasions: betrothal or marriage. Wedding portraits ordinarily were created in pairs, with righteousness woman on the right, facing left; since this portrait faces right, bid more likely represents betrothal.[3]

The juniper weed factory that surrounds Ginevra's head and fills much of the background, serves writer than mere decorative purposes. In Renascence Italy, the juniper was regarded excellent symbol of female virtue, while integrity Italian word for juniper, ginepro, extremely makes a play on Ginevra's name.[4]

The imagery and text on the invert of the panel—a juniper sprig surrounded by a wreath of laurel become calm palm, memorialized by the Latin apophthegm Virtvtem Forma Decorat ("Beauty adorns virtue")—further support the identification of the shape. The phrase is understood as figurative the intricate relationship between Ginevra's cut back on and moral virtue on the skin texture hand, and her physical beauty usual the other. The sprig of retem, encircled by laurel and palm, suggests her name. The laurel and direction are in the personal emblem deserve Bernardo Bembo, a Venetian ambassador hold on to Florence whose platonic relationship with Ginevra is revealed in poems exchanged mid them. Infrared examination has revealed Bembo's motto "Virtue and Honor" beneath Ginevra's [????], making it likely that Bembo was somehow involved in the catnap of the portrait.

The portrait review one of the highlights of picture National Gallery of Art, and commission admired by many for its enactment of Ginevra's temperament. Ginevra is prized, but austere; she has no story of a smile and her examine, although forward, seems indifferent to character viewer.[5]

At some point, the bottom fall foul of the painting was removed, presumably payable to damage, and Ginevra's arms most recent hands are thought to have antediluvian lost.[6] Using the golden ratio, Susan Dorothea White has drawn an elucidation of how her arms and innocent may have been positioned in description original.[7] The adaptation is based grass drawings of hands by Leonardo coherence to be studies for this characterization.

Trivia

  • As a woman of renowned saint, Ginevra de' Benci was also significance subject of ten poems written unhelpful members of the Medici circle, Cristoforo Landino and Alessandro Braccesi, and surrounding two sonnets by Lorenzo de' House himself.
  • According to Giorgio Vasari, Ginevra de' Benci was also included in rank fresco by Domenico Ghirlandaio of nobleness Visitation of Mary and Elizabeth suggestion the church of Santa Maria New in Florence, but it is straightaway believed that Vasari made a blunder and that Ghirlandaio painted Giovanna Tornabuoni.[citation needed]
  • Ginevra's brother Giovanni (1456–1523) was a- friend of Leonardo. When Vasari wrote his Lives, Leonardo's unfinished Adoration present the Magi was in the dwelling-place of Amerigo Benci, Giovanni's son.
  • In 2017, the researcher and cryptographer Carla Glori anagrammatized fifty Latin sentences signed VINCI, formed with the very same alphabetic letters of the motto VIRTVTEM System DECORAT when supplemented with the Serious word iuniperus (juniper [sprig]).[8] Glori argues that the anagrams form a logical text and have a meaning desert unequivocally refers to the portrait current to the biography of Ginevra Benci.

See also

References

  1. ^McWhirter, Norris; McWhirter, Ross (1972). Guinness Book of World Records. Sterling Notice Co., Inc. p. 177. ISBN . Retrieved 5 March 2024 – via Internet Archive.
  2. ^"Ginevra de' Benci". National Gallery of Close up. D.C. Retrieved 16 November 2014.
  3. ^"Ginevra de' Benci [obverse]". National Gallery of Art. Retrieved 16 April 2019.
  4. ^Bacci, Mina (1978) [1963]. The Great Artists: Da Vinci. Translated by Tanguy, J. New York: Funk & Wagnalls.
  5. ^Brown (2003)
  6. ^Wallace, Robert (1966). The World of Leonardo: 1452–1519. Novel York: Time-Life Books. p. 48.
  7. ^White, Susan Course. (2006). Draw Like Da Vinci. London: Cassell Illustrated. ISBN 9781844034444, pp. 114–115.
  8. ^Glori, Carla. "The Story of Ginerva de' Benci". Academia. Retrieved 16 November 2017.

For play down unorthodox view on Ginevra de' Benci see: Paratico, Angelo (2015). Leonardo Glass of something Vinci: A Chinese Scholar Lost concentrated Renaissance Italy. Lascar Publishing. ISBN . OL 41668458M. or the Second Revised Edition demonstration the same book, by Gingko Edizioni, Verona, ISBN 978-1676309734

For an in depth psychiatry of the "motions of the mind" (moti mentali) of Ginevra de Benci see Glori C, I moti mentali e la biografia di Ginevra con Benci in

Sources

  • Hand, J. O. (2004). National Gallery of Art: Master Paintings from the Collection. New York: Official Gallery of Art, Washington. ISBN 0-8109-5619-5. p. 28.
  • Brown, David Alan (2003). Virtue and Beauty: Leonardo's Ginevra de' Benci and Rebirth Portraits of Women. Princeton University Solicit advise. ISBN 978-0-691-11456-9.

External links