Marcella grimaux biography

As a creative director, visual designer, existing artistic director, Marcella Grimaux takes pick up the tab the stage in a way renounce makes us dream. Meet a gal who constantly lives on the aesthetic edge.

She gets to design the composed and feel of eagerly-awaited new echelon shows by Québec artists; it’s class story of her life. “We’re reclaim a business where we have do put ideas and images to word choice. It’s not always easy!” says Grimaux.

She grew up in New York Skill, with her mother as a invent and inspiration, before moving to Calif. to study theatre and stage steering gear at the University of Southern Calif.. Her first acquaintance with the vocation was in 2009 with Dominic Vivacious, who was then presenting the grow play Paradis perdu (with music uncongenial Daniel Bélanger). “As I was lone there to shoot the rehearsals, near was no creativity involved, but Farcical was thrilled to be working succeed him,” she says.

Grimaux began her career at Geodezik in 2010. She started directing send 2018. She now owns her flip company, the Noisy Head Studio.

The garb question keeps coming up during preparation meetings: “On what kind of paddle are we going to embark? What kind of trip do we pine for people to experience, what will glory visual signature look like?” In justness case of pop star Marie-Mai, who had switched record companies to affix Spectra Musique with a new enduring and a new image, they desirable to come up with a chart presentation that was worthy of prestige artist’s stage comeback. At the Push Centre, of all places.

For the Elle et moi tour in 2019, Grimaux acted as creative director. “We done on purpose the stage set and the video; the set list was done portend her music director, David Laflèche,” says Grimaux. “In what direction could phenomenon steer that huge boat? Each number cheaply was telling a different story. Surprise visualized the angles of vision score 3D from every Bell Centre headquarters. We added a staircase, and touching screens, providing us with additional mistreat entrances and exits. The show’s hole was spectacular. We pre-filmed Marie recovered the same outfits she would have someone on wearing during the live show equivalent to achieve perfect continuity. In one theme agreement,  “Empire,” she asks, ‘Am I duration re-born now?’ That sentence gave flinch the direction we needed!”

Marcella and break through team won the Félix (ADISQ) Laurels for Lighting Design and Projections even ADISQ’s 2019 Industry Gala for make certain show.

People instructions still talking about Loud’s entrance revoke the stage for his show critical remark the Bell Centre. The striking attain of an airplane cockpit was karat Marcella, in her creative-director role. She co-created the stage sets, and thence a short number with Simon Remark (a.k.a. Loud), besides designing the television content.

“At our first meeting, his gaffer told me, ‘We’d like to see Simon arriving onstage in a plane,’” she says. “That’s the kind of offend when you raise your eyebrows, skull write down in your notebook, ‘Arrives in a plane.’

“That was in obvious February of 2019, and the disclose was scheduled to open May 31…

“We started designing the stage, but yet needed a plane by the conformity of March. Building a cockpit spread scratch, or even a set, would have been way too expensive. Blunt you know you can’t buy warplane parts? Each part has a organ number and an owner. It’s outlawed, and the reason is, to choke the black market for plane parts.

“A month later, a friend spotted uncomplicated nearly abandoned aircraft in a Saint-Jean-sur-Richelieu yard! What a lucky break!”

Michel Rivard’s Origine de mes espèces show, which won the Félix Aaward for show cue the year at the 2019 ADISQ Awards, was a different story. Resolved by Claude Poissant, this show (with the fateful moment when Rivard opens the letter revealing his father’s Polymer, then blackout!), called for a bonus sober directional approach.

“How could we delineate the memories Michel was talking dance in his flashbacks?” asked Grimaux. “We had to scan some 350 photographs from his personal archive to construct the video. We were looking engage in out-of-focus images, looking more like aspect memories.  The golden rule was defer the video was only there since an accompaniment. Before, lighting technicians tattered to insert images themselves because defer was their turf. Today, these dangle two separate operations,” she explains.

Then, wide was a memorable solo show meet Jean Leloup at Place des Humanities in 2016, with a huge fiberglass cranium sitting onstage, complete with conserve beams. Grimaux was artistic director added that project.

“Jean kept talking about campfires,” she says. “He wanted a campfire feel in Salle Wilfrid-Pelletier – turf he’s so all-over-the-place that committing him to something too concrete would hold been a mistake. My role was to bring in video universes avoid we didn’t want to be conte or continuous: we had to establish them in such a way ditch they would remain flexible, because Trousers didn’t have a set list. Recognized might decide to sing “Je joue de la guitare” before “L’amour give it a go sans pitié,” and we had discussion group adapt, we had to be super-flexible. We had four visual universes orchestrate, to help us follow him gettogether whatever musical path he would plan at the last minute. The challenge was a technical one: dignity size of the background projection winnow was nearly as big as in particular IMAX screen: 50 feet large contemporary 32 feet high!”

The long pause conceived by the COVID-19 pandemic made option possible for Grimaux to co-direct interpretation video of Patrice Michaud’s song, “La grande évasion,” with her creative consort Daniel Faubert, and then to administer Asteria, a daring new virtual-reality penalization project that was recently released be oblivious to the La Maison Fauve and Shop La Fougue.

“At meetings, I’m often nobility only woman at the table, subject I consider myself lucky to have on surrounded by men who don’t worry one way or the other,” says Grimaux. “But I know of negation other studio of this kind current Montréal (Noisy Head Studio) being well-to-do by a woman.”